[REVIEW] A TIME BEFORE QUARANTINES: HIDE OUT WITH THE SURREAL, CAMPY FILMS OF CAN EVRENOL
Can Evrenol's weird, campy gorefests are the distraction we need right now. Hide from the pandemic with films evocative of…
April 2020
[REVIEW] ‘BUTT BOY’: A CHEEKY FILM THAT SPREADS ITSELF TOO WIDE
Butt Boy follows anal retentive Chip who lacks enjoyment in his every day life. After receiving a routine prostate exam…
[ZINE] MONSTROUS FEMALE FEAR : THE POWER OF SADY BOYLE’S ‘DEAD BLONDES’ AND DAVID CRONENBERG’S ‘RABID’
While the roots of many of the fearful creatures Sady Doyle describes in her book are ancient, the stories of…
[ZINE] THE IDENTITY CRISES OF THE WOMEN WITHIN KARYN KUSAMA’S ‘THE INVITATION’
The Invitation is nearly perfect to me, but it has always left me craving more in terms of its treatment…
[WATCH PARTY] JOIN DIS/MEMBER FOR A QUARANTINE WATCH PARTY OF ‘HOUSE ON HAUNTED HILL’ (1959)
DIS/MEMBER PRESENTS: HOUSE ON HAUNTED HILL (1959) JOIN DIS/MEMBER’S JUSTIN PARTRIDGE & INSHA FITZPATRICK AS...
[DVD/BLU-RAY REVIEW] THERES NOTHING LIKE THE HIGH OCTANE WAR THAT IS ‘VFW’
VFW is a neon-drenched trippy thrill ride that you won't get out of your head. It's part zombie, full-blown 80s…
[ZINE] RIOT GRRRL HORROR: THE SOSKA SISTERS STAND UP TO THE SYSTEM
What’s grotesque on the inside usually comes out (or off) in a Twisted Twins flick such as Rabid.. That's because…
[ZINE] “IT TAKES A MAN TO DO SOMETHING LIKE THAT”: THE WOMEN OF SCREAM
Michael Walls-Kelly highlights a couple from each entry that shows how Scream treats women as more than just screeching victims.