[FINAL GIRLS BERLIN FILM FESTIVAL] QUEER HORROR SHORTS BLOCK
Insha reviews the QUEER HORROR from Final Girls Berlin Film Festival.
[REVIEW] ‘THE INVISIBLE MAN’ IS A TERRIFYING ITERATION THAT GIVES A MODERN TWIST TO THE CLASSIC TALE
The Invisible Man is a refreshing divergence from a crass revenge story, which is where some #MeToo-themed movies have aimed.
[REVIEW] ‘BLOOD ON HER NAME’ IS AN INTENSE, RURAL-NOIR THRILLER WITH HITCHCOCKIAN OVERTONES
Blood on Her Name (2020) is an intense, rural-noir thriller with Hitchcockian overtones that takes the viewer on a voyage into the dark and turbulent lives of its characters.
[FINAL GIRLS] ‘TITO’ IS GOTHIC HORROR THAT DARES YOU TO THINK
Tito is very, very afraid. Grace Glowicki’s daring gothic horror flick Tito premiered at the Final Girls Berlin Film Fesitval on February 9, 2020.
[REVIEW] VINEGAR SYNDROME’S ‘BLOOD MANIA’ AND ‘POINT OF TERROR’ SET RIPS THE SCREAMS RIGHT OUT OF YOUR THROAT!
Blood Mania and Point of Terror, two nearly forgotten ghoulish tales of madness, mayhem, and murder, were rescued from obscurity by Vinegar Syndrome.
[INTERVIEW] TALKING ‘MARTYS,’ INDUSTRY, AND HORROR JOURNALISM WITH RUE MORGUE’S ANDREA SUBISSATI
Julieann Stipidis talks ‘Martyrs’, the horror industry, and horror journalism with Rue Morgue & Faculty of Horror co-host Andrea Subissati.
[FINAL GIRLS BERLIN FILM FESTIVAL] TRUE CRIME SHORTS BLOCK
Insha reviews the TRUE CRIME SHORTS BLOCK from Final Girls Berlin Film Festival. (Spoilers: She would like a full movie of LAST SEEN please.)
[REVIEW] ‘GRETEL AND HANSEL’ SPINS A TALE OF WITCHES AND WOMANHOOD IN THIS DARK FANTASY FABLE
In this dark and atmospheric retelling, director Osgood Perkins creates a visually stunning film that explores the fearsome power of womanhood and the monsters that live in the woods.
[FINAL GIRLS] SHORTS BLOCK 1: BAD ROMANCE
Love comes in many bizarre and macabre forms. Check out the seven shorts of the Bad Romance sequence at the Final Girls Berlin Festival.
[REVIEW] ‘COLOR OUT OF SPACE’ IS A TRIUMPH OF COSMIC PROPORTIONS
Believe the hype about Color Out of Space. Richard Stanley’s return to features is a weird tales masterpiece and a technical marvel.