[REVIEW] “ON THE TRAIL OF BIGFOOT: LAND OF THE MISSING” AIMS TO CONJURE INSTANT DREAD
On the Trail of Bigfoot: Land of the Missing (2023) Directed and Written By: Seth Breedlove Starring: Seth Breedlove, Alexander Petakov, et al
[LIST] SUMMER READING IS HERE
Ah, summer! Bust out your May Queen headdress, book a cabin at your favorite lakeside camp, splurge on an exclusive tasting at a
[INTERVIEW] MONICA ROBINSON JOURNEYS TO DEATH AND BACK IN ‘TO RULE THE DESERT’
From poet, editor, and artist Monica Robinson comes to rule the desert, a sun-baked desert gothic, releasing on MAY 18TH in print and digital
[REVIEW] NU-METAL BLOODBATH ‘THE RETALIATORS’ DOESN’T PUSH FAR ENOUGH
The Retaliators Directors: Samuel Gonzalez, Jr., Michael Lombardi, Bridget Smith Writers: Darren and Jeff Allen Geare Starring: Michael Lombardi, Geoff Menchaca, Joseph Gatt,
[INTERVIEW] LINDSAY MERBAUM DEBUTS WITH LIMINAL HORROR SMASH THE GOLD PERSIMMON
Author Lindsay Merbaum debuts on the indie horror scene with The Gold Persimmon, out now from Creature Publishing. The Overlook. Bates Motel. The
[REVIEW] DEAD LEAVES: AND WHAT CAN WE OFFER YOU TONIGHT BY PREMEE MOHAMED
Today we delve into ‘And What Can We Offer You Tonight’ by Premee Mohamed, a speculative novella that’s fast to read but lingers in the mind.
[INTERVIEW] KRISTIN GARTH AND NICK MORRISSEY’S ‘WICKERPEDIA’ WILL SATISFY FOLK HORROR FANS
From Daily Drunk Magazine comes Kristin Garth and Nick Morrissey’s Wickerpedia. Wicker Man stans, look no further–this anthology of art and writing might be
[REVIEW] ILANA GLAZER’S ‘FALSE POSITIVE’ IS TOPICAL BUT TRY-HARD
Director: John Lee Writer: Ilana Glazer and John Lee (screenplay); Ilana Glazer, John Lee, and Alissa Nutting (story) Starring: Ilana Glazer, Justin Theroux,
[REVIEW] DEAD LEAVES: NIGHT ROOM BY GINA NUTT
Welcome to Dead Leaves, an occasional table stacked high with recent horror tomes! Today we delve into Night Rooms by Gina Nutt, an
[EDITORIAL] STACKED ANACHRONISMS: HORROR AESTHETICS IN ‘IT FOLLOWS’ & ‘THE LOVE WITCH’
It Follows and The Love Witch’s shared horror aesthetics of visual rootlessness expand the definition of American folk horror.