[INTERVIEW] LINDSAY MERBAUM DEBUTS WITH LIMINAL HORROR SMASH THE GOLD PERSIMMON
Author Lindsay Merbaum debuts on the indie horror scene with The Gold Persimmon, out now...
Dee Holloway
[REVIEW] DEAD LEAVES: AND WHAT CAN WE OFFER YOU TONIGHT BY PREMEE MOHAMED
Today we delve into 'And What Can We Offer You Tonight' by Premee Mohamed, a speculative novella that's fast to…
[INTERVIEW] KRISTIN GARTH AND NICK MORRISSEY’S ‘WICKERPEDIA’ WILL SATISFY FOLK HORROR FANS
From Daily Drunk Magazine comes Kristin Garth and Nick Morrissey’s Wickerpedia. Wicker Man stans, look no...
[REVIEW] ILANA GLAZER’S ‘FALSE POSITIVE’ IS TOPICAL BUT TRY-HARD
Director: John Lee Writer: Ilana Glazer and John Lee (screenplay); Ilana Glazer, John Lee, and...
[REVIEW] DEAD LEAVES: NIGHT ROOM BY GINA NUTT
Welcome to Dead Leaves, an occasional table stacked high with recent horror tomes! Today we...
[EDITORIAL] STACKED ANACHRONISMS: HORROR AESTHETICS IN ‘IT FOLLOWS’ & ‘THE LOVE WITCH’
It Follows and The Love Witch's shared horror aesthetics of visual rootlessness expand the definition of American folk horror.