[INTERVIEW] LINDSAY MERBAUM DEBUTS WITH LIMINAL HORROR SMASH THE GOLD PERSIMMON
Author Lindsay Merbaum debuts on the indie horror scene with The Gold Persimmon, out now...
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[REVIEW] BIG FINISH PRODUCTIONS’ ‘DOCTOR WHO: THE ANNIHILATORS’ IS A SUPER-SIZED ROMP
Big Finish Productions serves fans of the Second & Third Doctors an extra-sized treat in The Annihilators. Oh, my giddy…
[REVIEW] DEAD LEAVES: AND WHAT CAN WE OFFER YOU TONIGHT BY PREMEE MOHAMED
Today we delve into 'And What Can We Offer You Tonight' by Premee Mohamed, a speculative novella that's fast to…
[REVIEW] DEAD LEAVES: NIGHT ROOM BY GINA NUTT
Welcome to Dead Leaves, an occasional table stacked high with recent horror tomes! Today we...
[REVIEW] AUDIBLE.CA’S ‘THE SANDMAN’ IS A REVERENT, SLICKLY PRODUCED ADAPTATION
Audible, Dirk Maggs, and an impressive cast get pretty damn close to delivering the "definitive" adaptation of Vertigo Comics' THE…
[ZINE] MONSTROUS FEMALE FEAR : THE POWER OF SADY BOYLE’S ‘DEAD BLONDES’ AND DAVID CRONENBERG’S ‘RABID’
While the roots of many of the fearful creatures Sady Doyle describes in her book are ancient, the stories of…
[REVIEW] NEW YEAR, NEW YOU: READ ‘CAMGIRL’ AND CHANGE YOUR FUCKING LIFE
Isa Mazzei's life is so lively yet terrifying, bold yet dramatic. Do yourself a favor and change your life with…