[RETROSPECTIVE] ‘INCIDENT IN A GHOSTLAND’ BRINGS FRENCH EXTREMITY INTO THE NEW WORLD
Incident in a Ghostland continues beyond where Martyrs ended. Incident in a Ghostland reinterprets horror movie tropes, defying their conventional usages.
[SHUDDER] ‘GWEN’: THE HILLS ARE ALIVE WITH THE FORCES OF EVIL
This period-piece, feature debut by Director William McGregor plays out more like a gothic horror novella than a modern scary movie.
[BROOKLYN HORROR FILM FEST] ‘SATOR’ SUMMONS BARE-BONES SCARES
Sator uses stripped-back, bare-bones horror elements very effectively and builds a deep world and story that keeps you guessing.
[BROOKLYN HORROR FILM FESTIVAL] ‘NIGHTMARE RADIO’ IS MOSTLY STATIC WITH MOMENTS OF CLARITY
Although it has a few bright spots, Nightmare Radio suffers from an over-saturated market paired with stories that don’t quite do enough to stand out.
[BROOKLYN HORROR FILM FESTIVAL] THERE’S NO PLACE LIKE HOME IN ‘ROCK, PAPER, AND SCISSORS’
Rock, Paper, and Scissors uses its limited cast and space and turns around and creates unlimited potential that merits repeated viewing.
[BROOKLYN HORROR FILM FESTIVAL] SHORTS: HOME INVASION
Brooklyn Horror Film Festival presents the HOME INVASION shorts.
[BROOKLYN HORROR FILM FESTIVAL] ‘PORNO’ DELIVERS WARMTH, HUMOR, AND SLEAZE
PORNO Starring: Katelyn Pearce, Glenn Stott, Robbie Tann, Jillian Mueller, Larry Saperstein, and Evan Daves Written by: Matt Black & Laurence Vannicelli Directed
[BROOKLYN HORROR FILM FESTIVAL] – ‘THE SWERVE’ IS A CHILLING PORTRAIT OF DOMESTIC DEPRESSION
While it could have used a bit more explosivity in parts, The Swerve is a powerfully unnerving domestic psychodrama.
[BROOKLYN HORROR FILM FESTIVAL] ‘DANIEL ISN’T REAL’ IS A TRIP THAT WILL MAKE YOUR HEAD SPIN
A bit of body horror, a lot of psychological, and a sprinkle of cosmic and romance. I can’t recommend Daniel Isn’t Real enough, it truly has it all.
[HULU’S HULUWEEN FILM FEST] ‘FLAGGED’ REVIEW
Writer and director Chelsea Lupkin’s short film Flagged premiered as part of Hulu’s Huluween Film Fest, in collaboration with the Sundance Institute.