[CINEPOCALYPSE] SHORTS BLOCK 1: SHADOWS WITHIN – PART 2
In “Shadows Within” Cinepocalypse showcases a series of short and surreal psychological horror films from a variety of talented directors.
[CINEPOCALYPSE] SHORTS BLOCK 1: SHADOWS WITHIN PART 1
In “Shadows Within” Cinepocalypse showcases a series of short and surreal psychological horror films from a variety of talented directors.
[CINEPOCALYPSE] ‘PUNTO MUERTO’ IS A CLASSIC-COOL NOIR MURDER MYSTERY
Director Daniel de la Vega’s ‘Punto Muerto’ (Dead End) is a black-and-white murder mystery that brings together literary endeavors and crime beautifully.
[CINEPOCALYPSE] ‘GHOST KILLERS VS. BLOODY MARY’ IS JUST AS FUN AS IT SOUNDS
From the fantastic cast to the fun jump scenes to the humorous writing, ‘Ghost Killers VS. Bloody Mary’ is comedy horror at its finest.
[CINEPOCALYPSE] ‘BELZEBUTH’ IS A NOVEL EXORCISM TALE
In Belzebuth, director Emilio Portes delivers a compelling story about an ancient demon, the Vatican, and a father grieving the loss of his child.
[REVIEW] SARAH PIROZEK’S ‘#LIKE’ ELEVATES THE CYBER-THRILLER GENRE TO FEMINIST PERFECTION
There have been no shortage of cyber-thriller films involving sexual exploitation, bullying, and suicide, but #LIKE manages to elevate the genre.
[REVIEW] ‘HALLOWED GROUND’ HAS CREEPY CABINS AND BLOOD FEUDS BUT LACKS SUBSTANCE
Hallowed Ground follows married couple Vera and Alice as they travel to a secluded cabin and stumble into a blood feud between neighbors.
[REVIEW] WE HAVE ALWAYS LIVED IN THE CASTLE IS A DARK, DREAMY WONDERLAND
We Have Always Lived in the Castle (2019) is a beautiful, gothic adaptation of Shirley Jackson’s 1962 novel of the same name.
[REVIEW] THE LAST DRIVE-IN WITH JOE BOB BRIGGS WEEK 5 – DEMON WIND AND THE HOUSE OF THE DEVIL
Joe Bob continues into Week 5 giving us a unsceen demonic wind and a house that you shouldn’t go exploring.
[REVIEW] THE LAST DRIVE-IN WITH JOE BOB BRIGGS WEEK 4 – MADMAN AND WOLFGUY: ENRAGED LYCANTHROPE
Joe Bob continues into Week 4 by dissecting a ripoff slasher film and introducing an audience to a wild ’70s exploitation werewolf film from Japan.