[REVIEW] ‘BLOOD ON HER NAME’ IS AN INTENSE, RURAL-NOIR THRILLER WITH HITCHCOCKIAN OVERTONES
Blood on Her Name (2020) is an intense, rural-noir thriller with Hitchcockian overtones that takes the viewer on a voyage…
REVIEWS
[FINAL GIRLS] ‘TITO’ IS GOTHIC HORROR THAT DARES YOU TO THINK
Tito is very, very afraid. Grace Glowicki's daring gothic horror flick Tito premiered at the Final Girls Berlin Film Fesitval…
[REVIEW] VINEGAR SYNDROME’S ‘BLOOD MANIA’ AND ‘POINT OF TERROR’ SET RIPS THE SCREAMS RIGHT OUT OF YOUR THROAT!
Blood Mania and Point of Terror, two nearly forgotten ghoulish tales of madness, mayhem, and murder, were rescued from obscurity…
[FINAL GIRLS BERLIN FILM FESTIVAL] TRUE CRIME SHORTS BLOCK
Insha reviews the TRUE CRIME SHORTS BLOCK from Final Girls Berlin Film Festival. (Spoilers: She would like a full movie…
[REVIEW] ‘GRETEL AND HANSEL’ SPINS A TALE OF WITCHES AND WOMANHOOD IN THIS DARK FANTASY FABLE
In this dark and atmospheric retelling, director Osgood Perkins creates a visually stunning film that explores the fearsome power of…
[REVIEW] ‘COLOR OUT OF SPACE’ IS A TRIUMPH OF COSMIC PROPORTIONS
Believe the hype about Color Out of Space. Richard Stanley's return to features is a weird tales masterpiece and a…
[REVIEW] ‘VOLITION’ ASKS HOW FAR WOULD YOU GO TO CHANGE THE FUTURE
The Smith Brothers first film Volition is a well-written, fast-paced story with great characters, plenty of action, and deep questions.
[RETROSPECTIVE] INSHA’S BEST HORROR FILMS OF THE DECADE
Almost a whole month into 2020, and things are still the worst, but the 2010s...
[REVIEW] ‘DRACULA’ STRIVES TO BE HAMMER, BUT DOESN’T LIVE UP TO THE STYLE OR CHARM
Dracula is a true fiasco, one that seemed only to guzzle money and strives to be the new Hammer Dracula.