[CINEPOCALYPSE] ‘MOPE’ FINDS POWERFUL DRAMA IN THE SEEDY
DIS/MEMBER’s coverage of CINEPOCALYPSE 2019 continues with a review of the shocking Sundance favorite MOPE!
[CINEPOCALYPSE] ‘VILLAINS’ REVELS IN THE CREEPINESS WITHOUT OVERDOING IT WITH BLOOD AND GORE
Part of what works is that you could see both of these couples existing in the real world. And that to me is scarier than vampires, werewolves, and mummies.
[CINEPOCALYPSE] ‘THE MUTE’ AND ‘THE LAST TO SEE THEM’ ARE DELIBERATELY PACED, STYLIZED AND WORTH WATCHING
Bartosz Konopka’s ‘The Mute’ and Sara Summa’s ‘The Last to See Them’ aren’t just standard genre films, they’re proof of the importance of film festivals.
[CINEPOCALYPSE] SHORTS BLOCK 2: SEX, BLOOD, AND HEAVY METAL
CINEPOCALYPSE’s second slate of shorts prove that sex, blood and heavy metal do mix.
[CINEPOCALYPSE 2019] ‘CULTURE SHOCK’ SHOWS THE AMERICAN DREAM GONE WRONG
Culture Shock starts with introducing us to a young woman who is trying to make her way across the border to a perceived better life in America. For fans of psychological horror, this is the movie for you.