[SHUDDER REVIEW] ‘LUCKY’ IS A DARK AND HORRIFYING REFLECTION OF OUR OWN WORLD
The best horror movies are the ones that disrupt, disorient and create chaos among the audience, and Lucky (2020) does not disappoint.
[SHUDDER] ‘LEAP OF FAITH’: A MASTERCLASS INTO WILLIAM FRIEDKIN’S MIND
‘Leap of Faith’ is an analytical, critical, philosophical, and outstanding look at the process of filmmaking, storytelling through William Friedkin.
[NIGHTSTREAM] ‘DETENTION’ DELVES INTO THE GHOSTS OF TAIWAN’S PAST
Based on the best-selling video game, Detention gives plenty of chills while tackling the historical horrors.
[NIGHTSTREAM] ‘BOYS FROM COUNTY HELL’ BLEEDS NEW LIFE INTO VAMPIRE COMEDY
Boys from County Hell is a refreshing take on tired vampire lore that balances gory horror-comedy and family drama.
[NIGHTSTREAM] ‘DEADLINE’ IS MORE MORALITY PLAY THAN HORROR CLASSIC
This rarely-seen Canadian horror film is really a drama about a dysfunctional family first, with the horror as an afterthought.
[NIGHTSTREAM] ‘BLOODY HELL’ IS A FUN, QUIRKY GENRE-HOPPING TREAT
Bloody Hell was a surprising delight, bringing laughs and legitimate creeps to an action-packed story with a fun lead performance.
[REVIEW] ‘THE CURSE OF AUDREY EARNSHAW’ IS A SLOW-BURN COMING OF AGE OF WITCHCRAFT, FOLKLORE AND PARANOIA
The Curse of Audrey Earnshaw could be a great low-key horror treasure and a slow-burn folktale, but that shouldn’t turn you away.
[DVD/BLU-RAY REVIEW] THERES NOTHING LIKE THE HIGH OCTANE WAR THAT IS ‘VFW’
VFW is a neon-drenched trippy thrill ride that you won’t get out of your head. It’s part zombie, full-blown 80s action horror, and a whole lot of fucking fun.
[REVIEW] ‘GRETEL AND HANSEL’ SPINS A TALE OF WITCHES AND WOMANHOOD IN THIS DARK FANTASY FABLE
In this dark and atmospheric retelling, director Osgood Perkins creates a visually stunning film that explores the fearsome power of womanhood and the monsters that live in the woods.
[REVIEW] ‘COLOR OUT OF SPACE’ IS A TRIUMPH OF COSMIC PROPORTIONS
Believe the hype about Color Out of Space. Richard Stanley’s return to features is a weird tales masterpiece and a technical marvel.