[REVIEW] HULU & DISNEY+’S ‘BOSTON STRANGLER’ SUCCEEDS IN CRACKING THE CASE BUT FAILS TO DELIVER
While Boston Strangler succeeds with cracking the case, it still needs to figure out how to deliver it.
[REVIEW] THROWN INTO THE DEEP IN WITH ALL STYLE AND NO SUBSTANCE: INFINITY POOL (2023)
Infinity Pool is a film that wants you to keep paying, but there’s no payoff. Even when you get to the end, you’ll ask, “What was that all for?”
[REVIEW] ‘THE HARBINGER’ EXPLORES MISSED WARNINGS FROM THE EARLY DAYS OF THE COVID-19 LOCKDOWN
‘THE HARBINGER’ explores the early days of the Covid-19 lockdown.
[REVIEW] THE HOUSE THAT JACK BUILT IS A DAMN FINE ONE
The House That Jack Built an entertaining and intriguing story. One that does a great deal of character development with a gripping narrative to build a stable home.
[REVIEW] ‘THE SPINE OF NIGHT’ IS A BRUTALLY ENTERTAINING ANIMATED EPIC
The heir apparent to films like Wizards and Fire & Ice emerges in the thunderously entertaining The Spine of Night.
[FANTASIA FILM FESTIVAL] “THE SADNESS” IS A GORY, FULFILLING MONSTROUS MASTERPIECE
The Sadness is an extreme horror zombie movie that’s fast-paced, horrific, and bonkers and fuck, and as lovers of horror, that’s just how we like it.
[FANTASIA INTERNATIONAL FILM FESTIVIAL] ‘WONDERFUL PARADISE’ IS A SCREAMINGLY FUNNY SURREALIST ROMP
Masashi Yamamoto’s latest is a tersely hilarious domestic comedy of errors. Right up until the moment it isn’t.
[SHUDDER REVIEW] SHUDDER’S ‘JAKOB’S WIFE’ STANDS AS A GHOULISHLY FUN SHOWCASE FOR A HORROR ICON
This Shudder Exclusive is an impressive, shockingly emotional, and surprisingly bloody showcase of genre icons.
[NETFLIX REVIEW] ‘FEAR STREET PART 2: 1978’ IS A CONFIDENTLY FUN FOLLOW-UP
Fear Street Part 2: 1978 Starring: Sadie Sink, Emily Rudd, McCabe Slye, Ryan Simpkins, Gillian Jacobs, Olivia Scott Welch, and Kiana Madeira. Story
[REVIEW] ‘FEAR STREET PART 1: 1994’ IS A ROLLICKING FRANCHISE STARTER (WITH ONE GLARING MISSTEP)
Netflix’s newest horror franchise gets off to a good start, despite one very poor sequence, in this adaptation of R.L. Stine’s seminal series.